
This week’s episode of “Mad Men” ended with Don Draper sitting back and trying to get a little weird to the psychedelic rhythms of “Tomorrow Never Knows,” the last track off the Beatles’ 1966 album Revolver. It was a moment that paid off a couple set-ups throughout the episode, most notably that time is starting to pass Don by. It also provided a cool bookend to an episode that started with a group of advertising men talking about how tough it is to get the rights to a Beatles song. Why is it so tough to get them you ask? Because it costs a royal butt-ton (industry term):
As with most transactions that involve the Beatles, that usage did not come cheap. According to two people briefed on the deal, who were not authorized to speak about it, Lionsgate, the studio that produces “Mad Men,” paid about $250,000 for the recording and publishing rights to the song. That is an appropriately high price, several music and advertising executives say, since many major pop songs can be licensed for less than $100,000. [New York Times]
The Times article has a lot more information about how “Mad Men” showrunner Matthew Weiner went about acquiring the rights, and I recommend reading it all because he is hilariously cranky about the whole thing. It’s very clear that he wants to talk about how the music relates to the story he’s trying to tell, but all anyone else wants to talk about is the Beatles and how much he paid and how it affects the budget going forward. I understand his point, that you really can’t have a show that deals with everything going on in the 1960s and try to dance around one of the most culturally important parts of the era, but when you plunk down a houseworth of money for like a minute of a 45-year-old song, it’s going to raise some eyebrows.
NOTE: My favorite part of this story, by a mile, is that Weiner had to pay $250k for the song and I can just embed it for free at the bottom of this post. The Internet is great.



Should’ve used Love Me Do!
Shit, John Lennon was awesome.
How much zombie makeup and sweaty filthy clothes would that buy, AMC? Oh, that’s right, I don’t care.
Dork note: the song was inspired by the Tibetan Book of the Dead, which is referenced in the Roger’s acid trip episode. So, like, there.
“Tomorrow Never Knows” was actually the theme of an acid trip I took in college (also known as the “Ice Cream Trip.”) It was a good time.
Should have secured some of The Clarences catalog. “She Loves You, Man” and “Help Me, Man” would have been great and probably way cheaper.
Agreed, that was some mean sax on that joint.
In other news, the rights holders to “Tomorrow Never Dies” would be willing to pay AMC $250,000 to re-air the film.
if money doesn’t matter then why did he insist on a 30 million dollar salary? he IS aware that those negotiations fucked over Walking Dead and Breaking Bad, and his show is not the only show on AMC, right? super dick to get mad about money questions when you demand that much money for a show that brings in more prestige than actual viewers.
I could have recorded my farts and blended it with a sitar for $300,000 monopoly bucks, Mr. Weiner. Same thing I think.
Scary thing for me personally: the completely befuddled look on Don’s face when he heard this song is the same look I get when my younger girlfriend plays Skrillex
Your look of befuddlement is justified though because dubstep fucking sucks