
A few months ago, Jerry Seinfeld introduced his new web show, Comedians in Cars Getting Coffee, which is exactly what it sounds like. I watched the first episode and basically dismissed the series as a frivolous, pretentious, Jerry Seinfeld vanity project. Who would have the audacity to drive around in a car that costs more than most of our houses shooting the sh*t with his pals? It’s a total 1% show, and I was a little resentful toward the premise, which was basically Jerry Seinfeld going about his normal day and expecting viewers to tune in because he’s Jerry (f**king) Seinfeld.
I may have been wrong about Comedians in Cars Getting Coffee.
The headline story here is that Michael Richards addresses the event that basically ruined his career. I’d heard that Michael Richards would discuss it in Comedians in Cars and figured I’d skip around in the 17 minute episode until I found the exchange. But a funny thing happened: The entire episode was totally, completely captivating from start to finish. I watched every second of it, and I recommend you do the same. Michael Richards is really a fascinating guy.
In the very beginning of the episode, there’s screen text that says, “It may look like some parts of this episode are set up. They are not,” a necessary warning given what transpires. Michael Richards, for instance, tells Jerry to stop at a particular house, which Richards’ says is his friend Sugar Ray Leonard’s house. Turns out, Michael Richards’ doesn’t actually know Sugar Ray Leonard, and the random house they chose was Jay Mohr’s.
Over the course of the episode, Richards also tells an amazing story about a homeless chess player he once met; about being recognized as Kramer in the jungles of Bali, about his gratitude to Jerry for the experience of the show, and even about his audition for Seinfeld. Eventually he does get around to addressing his meltdown, and what it did to his life.
I busted up after that event. It broke me down. It was a selfish response. I took it too personally. I should’ve just said, ‘You’re absolutely right, I’m not funny. I’m going to go home and work on my material … and thanks for sticking by me. It meant a lot to me … Inside it still kicks me around a bit.
It actually doesn’t make for a particularly juicy pull quote, but in the context of the episode, it’s a sad and poignant exchange. I can’t recommend viewing the whole episode enough. (You can watch it here)



Seinfeld is a creative guy and I am definitely glad to see him back doing TV. Same with Richards.
My pavlovian response to this post: “Oh, have a tail! Come on, that’s the dumbest thing I ever heard. You can always get on an airplane, but a tail . . .”
The episode with Mel Brooks and Carl Reiner is what won me over, even though Brooks looks to be 1,000 years old now
He isn’t? I swear I thought History of the World Part I was made mostly of just home videos that span his entire life.
And his “2000 year old man” bit was actually an autobiography.
I thought he showed that he could have a laugh about it on Curb. But then again you wouldn’t expect normal behavior from the Bow Tie Killer.
Everything… tasted like peaches
“I was a little resentful toward the premise…”
You hid it with grace.
Hearing actual comedians talk about their craft is usually pretty interesting. If you come at it with a resentful attitude well that is about you.
It was interesting the first time someone did it. Unfortunately, it’s ALL FUCKING COMEDIANS DO is talk about their “craft” like they’re in coal mines getting black lung. Every other podcast ends up being comedians talking about being comedians. Even comedians I LOVE, I hope they die of AIDS every time they do one of those stupid fucking interviews.
But other than that I have no strong feelings on the subject.
I think Slate had a conversation about this a few weeks ago. It seems “stand up comedy” is the only area now where people can talk about their “craft” and dissect it in without sounding completely pedantic. Poets and artists and musicians and writers used to do this, but we got turned off by it because they took themselves too seriously. But somehow comedians still get a pass from us.
But I think we’re starting to hit that point with comedians. Its not rocket science guys, its telling jokes.
All accounts I’ve read about Michael Richards portray him as a genuinely warm individual and very far from the animated cuckoo he played Kramer up to be. Kind of like how Steve Martin is the least “wild-and-crazy-guy” you’ve ever met.
He did make a tragic mistake though, and it’s a shame.
I like how Black Comics talk about the Kramer/Nigger thing. Even Chappelle was seemingly understanding about it, and Patrice was just annoyed that Richards made it now very taboo again to say the word or talk about it.
yea i was pleasently surprised to see black comedians be very understanding of the situation. being a decent comedian id imagine you’ve gone through some pretty rough hecklers, not everyone has the poise to handle it all the time….
Dude, they made a successful “show-about-nothing” for years, of course I would watch the hell of them having coffee an talking. It impresses me that even for me, that I’m from a different culture and language, I still can relate to them.
ok just watched a few minutes of this so far, and its awesome. hearing Michael and Jerry talking about seinfeid and the memories took me back. he def seems like a genuinely nice guy that got way too angry, and lost his shit. thanks for this, i love watching comedians kick the shit and talk about nothing.
“Is Sugar in? Is Sugar home? Does Bob Sugar live here?”
“Yes, yes he does.”
Do people like Jay Mohr? I go back and forth on him. He’s done stuff that made me laugh but on the other hand, he seems rather annoying most of the time.
Wow. Maybe it was the classy piano Jazz but I felt that was totally worth my time. Damn, now I have another thing to distract me from productivity.