
– Flynn’s Favorite Breakfast food, from an AMC Interview:
Flynn’s favorite breakfast food I would think is a toss-up between some form of dry cereal or bacon. Flynn definitely loves his bacon, although definitely not vegetarian bacon — which tastes, of course, as we all know, like band-aids. Admittedly, you don’t keep a tally of how often you’ve seen Walter, Jr. eat breakfast. And then suddenly you turn around one day and you say, “My God, this kid. All he does is eat breakfast!” So, that amuses me and the other writers as well, greatly. The idea that Flynn or Walter, Jr. — depending on what mood we’re in we’ll call him one or the other — but Flynn’s love of breakfast indeed seems to know no bounds.
– Vince Gilligan tried to find a way to keep Jesse in the meth business after the kid got shot but it just wouldn’t work, from an interview with Salon.
When we came up with the thought of the boy being shot, we honestly did not realize that this was going to be the outcome. But it truly was. And as we moved forward, we had the damnedest time breaking the following episode. And then, the episode after that. Speaking for myself, here, I kept trying to push it back into a place of, “OK, Jesse’s really going to be upset about this. And there’s going to be hell to pay, but ultimately, he’s going to knuckle under and he’s going to keep working with Walt.” And we’ll get back to more or less the way it was. But it just wouldn’t go. You just couldn’t put that square peg in that round hole. And adding to that, by the time Aaron Paul came to me, we had sort of come to this realization amongst ourselves. When I saw Aaron, he said, “You know, with this ending, I don’t know how I can ever keep cooking. I don’t know how I can do that, how my character can do that.”
Which is very interesting because Aaron Paul is not a pushy actor in any way, shape or form. He’s wonderful, sweet and collaborative. This is the only time he was adamant, because he felt so strongly about it. And he was absolutely 100 percent right. And that helped inform our decision. So these characters, and sometimes the actors themselves, tell us where they will go and where they won’t. And you really cannot lead them around by the nose. You have to let them tell you where they’re going. Otherwise, everyone’s miserable.
– Though he’s known the song for 30 years, Vince Gilligan only thought to use “Crystal Blue Persuasion” about six months ago. Again, from the Salon interview:
I came up with it about six months ago. I hate to say that. (laughs) I’ve known that song for most of my life, since I was a kid, since I heard Tommy James and the Shondells on the radio; I’ve heard that song three decades at least. I hate to admit that even though I knew that song, I was really late to the party on realizing that we should use it on the show. It was only about six months ago that I was driving to work, and I heard it come on the oldies station. Suddenly, I thought, “Jesus! This is so obvious, we’ve got to use ‘Crystal Blue Persuasion’!” How did I not think of this before? It was one of those moments. That’s why I hesitate to say how late in the show it was.

– In the first edit, whether Walt’s cancer had returned was more obvious. From an interview with Slate:
It’s funny, in the original execution of that episode, it was more clear what was going on—I won’t say in which way, and it might be in a way that surprises you. We got all the way to the ending of the episode, and we thought, “No, let’s change this. Let’s make it less clear.” The longer we’ve been doing this, the more I realize that I want the viewers to take as active a hand as possible in the show. I like moments of vagueness. I like moments of mystery. We always make a differentiation in the writers room between mystery and confusion. Mystery is almost always good. Confusion is always bad. You want to be mysterious but not confusing.
I want the viewers doing as much work as possible. I think they want to do as much work as possible, too, when they’re watching Breaking Bad, or when they’re watching a show like Breaking Bad. They want to be doing the math. There’s a wonderful old Billy Wilder quote: “Let the audience put 2 and 2 together so that it comes up with 4. Let them do that themselves, and they’ll love you forever.” Whether that’s true or not, I love the audience doing the math.
– The most bizarre Vince Gilligan quote in all of the interviews, from EW:
“We now have freedom to dispense with the timid storytelling we’ve been doing so far.”
WHAT?



Those final episodes are going to be a bloodbath.
The guy playing Todd’s uncle looks a real badass. Perfect casting… again!
From what he said about the ending, wow.
I can´t believe they don´t know what happens.
If they really don´t know and they put a wire or something cancer related (remeber he´s practically mcgyver he could make for himself a portable dyalisis machine) in there just to have the option open, means a lot of thinking ahead to throw away.
And if they didn´t know why the hell put the flash forward?
Or is it just that they know he´s going to war but they don´t know who dies.
No clear idea != Don’t know
I agree, and I could have sworn that Gilligan said in another interview, at least 6 months or a year ago, that he’s basically known for some time how he wants the series to end. Obviously though I’m guessing they’re just working through how all the details work out before the show gets there…
There’s no way they just put in a flash forward and said to themselves “we’ll just cross that bridge when we get there”.
Please deposit the entire 8 remaining episodes directly into my veins immediately.
I don’t know why he’s so coy about how he’s gotten out. Maybe it’s too convenient but it seemed obvious to me that, in the time that lapsed during the fumigation tent montage, the methylamine has run out or was near enough done. I think a pallet full of cash, which is 30% of the cook net, not gross, is a good indication that a chunk of the stuff is gone by the time Skyler shows him the money. Without the methylamine, no cook. Since the arizona crew has no clue how it was gotten and that Mike probably explained during the first contact that it was a one time score, and since everyone involved made a pallet full of cash, it’s not above the suspension of disbelief, for me at least, that Walt could walk away once the stuff was spent.
I think the clear and present danger for the remainder is Hank. This fits for me in that the next episode set have to present Walt with a opportunity for redemption. Walt however can not accept his fate. so even though he turns states evidence, it leads us to the moment when he’s wearing a toupee, has a new hampshire drivers license and is buying a rocket launcher. and maybe wearing a wire…
The way he talks about Walt’s cancer has me questioning whether its back. I think it is and I figured the majority of people do as well, but where he says the answer may surprise you makes me wonder if he doesn’t have it. I imagine Gilligan knows most people think its back so he would be addressing the majority. Or maybe he is just fucking with us to ponder these things till next year.
He’s probably toying with us and I’m more than willing to play the dancing puppet.
Damn you Gilligan and your genius!
I really hope he’s just fucking with us and sending out a mix of true and false information.
I don’t want Walt to be out. I can’t handle it if Walt is really out!
Do not say the Checkhov Nazi, Cyril! That, sir, is a facile argument! (and woefully esoteric)
You know I can see a lot of possible outcomes to this thing. And not a single one of them involves “Miller Time”
Is it just me, or is it possible that Walt punched the dispenser not because he has cancer, but because he wanted the cancer to be back because he wants to die, and it turns out it’s still in remission?
Walt punched the dispenser in a previous episode (when he found out he was in remission). It was a little reminder to the himself and the audience how far he’s come.
Wheeeee, more Nazis… I would have accepted one of them coming over the wall looking to get hooked up during family time instead of Hank finding Gale’s book.
But that’s just shades of the Satan’s Choice showing up on my neighbors lawn en masse from time to time (lovely man, great family, excellent gardener). My emigrant parents thought it was a wonderfully colorful carnival, but you know. 10 months.
If Walt is really out, then what can Hank really do? I mean, there is no concrete proof that can tie Walt to the meth game other than the connection to Gale.
It makes far more sense to me that Walt’s cancer remains in remission. It provides motivation for him to get out, and try to put his family back together. If his cancer has returned, then he’s still the man with nothing to lose, but if he’s going to live, it stands to reason he’d have second thoughts about continuing to cook. Walt being cancer-free also fits nicely with the sense of poetic irony that drives so much of the show. He finally comes to his senses, realizes he’s got time left to spend with his family, has plenty of money, etc., but makes one last mistake — leaving Gale’s book out where it can be found.
I’m here to ask the tough questions.
Have we seen the last of Walt Jr. at the BREAKFAST TABLE?
Don’t know if anyone else has suggested it yet, but is it possible that Walt takes the ricin himself? He had a cough in the flash forward. Maybe it was the cancer returning, but they’ve said the ricin has flu-like side effects. Maybe he’s experiencing the beginnings of those?
Was just watching Total Recall, recognized Hank (Norris) as one of mutants sitting at the whore house with Melina and Kuato