Greg Garcia — Garcia is the creator and writer behind Raising Hope NBC’s Jason Lee comedy, My Name Is Earl, and Yes Dear, quirky comedies known for wearing their hearts on their sleeves. Given how sentimental those sitcoms can often get, it’s not terribly surprising that Garcia got his start on the cheesy 90′s sitcom Family Matters. Garcia also once worked as the board operator on Tony Kornheiser’s radio show. (Fun Fact: Back in his days on My Name is Earl, Garcia also engaged in an ongoing feud with Alec Baldwin, calling him “psychotic”).
Alex Gansa — Gansa, the guy behind Showtime’s Emmy-award winning Homeland, as well as one of the major writers on Fox’s 24, also spent some years on The X-Files. But before that, he was a staff writer on Spenser for Hire, an OK cop show starring Robert Urich that hasn’t held up well at all, and Beauty and the Beast, the terrible CBS drama starring Linda Hamilton and Ron Perlman, recently remade on The CW.
Terence Winter — Terence Winter, the current showrunner and creator of HBO’s Boardwalk Empire, was another one of the major contributors to The Sopranos, but before that, Winter bounced around as a staff writer on a series of not very good shows, like Diagnosis Murder and Xena: Warrior Princess (no offense). Perhaps more embarrassing was his first project ever, as a writer on Cosby Mysteries, Bill Cosby’s first post-Cosby Show role (also starring Mos Def) that People magazine called “a flimsy vehicle.”
Graham Yost — Yost has bounced around the industry, getting his first big break as the screenwriter for Speed, although Christian Slater’s Hard Rain a few years later effectively ended his feature writing career. Fortunately, Yost was able to get involved with Steven Spielberg and Tom Hanks on Band of Brothers and The Pacific (which is why you’ll see so many of those guys show up on Justified). Yost was also a staff writer on Fox’s underappreciated Herman’s Head, but he got his start on Hey Dude, a not terrible show only “embarrassing” because of the wild contrast between the Nickelodeon kid’s programming and the harder-edged work he’s done on the World War II dramas and Justified.
Dan Harmon — Before becoming the genius behind Community and the screenwriter of Monster House, Harmon was the creator of the television network/website Channel 101, which was responsible for — among other things — Computerman starring Jack Black, which looks terrible. On the plus side, he was also the creator of Heat Vision and Jack</i>, a pilot directed by Ben Stiller and starring Jack Black and Owen Wilson that was never picked up, but gained a cult following (honestly, it looks pretty terrible, too).



Weiner was a writer for Andy Richter Controls the Universe!? Does this mean that he’ll bring it back after Mad Men wraps up. I say yes.
Call me crazy, but I kind of liked Taking Care of Business with Jim Belushi. I think possibly it’s reputation has been unfairly tainted because of, you know…it’s Jim Belushi.
JJ Abrams wrote Armageddon? Shut up. How did I not know that?
Apparently he was one of six, I never knew either.
If it helps, he only wrote the good parts.
You also left out that Graham Yost was a staff writer on Full House. Just read it yesterday in Alan Sepinwall’s book. Yost quit Full House to write Speed.
I had to check if Graham is related Elwy Yost, and sure enough, he is Elwy’s son
You also left off Yost’s work on the excellent show Boomtown. Another example of why NBC sucks wen it comes to broadening appeal.
You shut up about ‘Heat Vision and Jack’!! SHUT UP! It never got a fair chance and you just don’t understand it anyway. So SHUT UP!!!!!!!!!
Thou shalt nor speak ill of Hey Dude in my presence.
Hey Dude was the only thing that plugged the hole in my heart where Saved by the bell used to be.
i love Hard Rain.
It also probably helps that long-running stuff like Nash Bridges would have had a TON of episodes- plenty of room to bring in writers, and the established ratings to let them leave a few episodes for the new guys.
Dear Dustin,
You seem like a swell guy, a decent writer and a true fan of television, but sometimes I really do not get you. You consider Greg Garcia to be one of the “Best Showrunners” because he’s been in charge of two VERY mediocre shows (Raising Hope and My Name is Earl), and fucking YES, DEAR, and then you claim that Dan Harmon’s creation of Channel 101 is an “Embarrassing Early Writing Gig”.
But hey, this is your little internet nook, keep on groovin, have a day.
Bill Lawrence is overrated,
Matt
That Bill Lawrence dig was just uncalled for.
I think it’s a low blow and I think that the “Earl” comment is a kick in the balls.
You are dead on with the “Yes, Dear” stuff though.
What are you talking about, Matt? Dustin’s TV opinions and posts are fantastic. Why just the other day he authored a post titled: “How bummed are you about the cancellation of Ben and Kate?”
You’re both right, the Bill Lawrence dig WAS a low blow. It was despicable, even. To punish myself I’m going to watch every scene in Scrubs where Dr. Cox does an Ace Ventura impression while hilariously calling Zach Braff a woman’s name.
Long live snotty and cutting comments on the internet!
Raising Hope is a pretty excellent little show
Don’t forget Seth MacFarlane’s work on Johnny Bravo. That’s the only reason I don’t hate him.
I actually look past that awesome gig to continue hating him.
I assume at some point during the filming of Armageddon, Michael Bay took the young screenwriter aside and discussed the importance of lens flare in Hollywood blockbusters.
“You see this thing that was a hallmark of shitty camera work and incompetent productions? YOU FLARE THE AUDIENCE BLIND WITH IT, YOU HEAR ME?!?”
“And have at least one hot girl in everything!”
The only non-surprising one of these was Damon Lindelof on Nash Bridges. He clearly based the decision-making of all the characters in Prometheus on Cheech Marin’s behavior post-four ounces of weed.
Pfft, no amount of drugs would cause Cheech (or anyone else) to make such incomprehensible decisions.
/still mad about that piece of shit movie; considers the 2 hours I spent watching it on a 22 hour flight to be wasted time.
Hard Rain? Man, I’d completely forgotten about that piece.
Ah yes, _Taking Care of Business_, currently being remade as _Identity Thief._
Spenser for Hire ruled!
Gone Fishin’ only has a 4% on rotten tomatoes?!!! Fuck you, RT! I don’t believe in anything anymore! I’m going to business school!
/chucks sack of doorknobs
::sack of doorknobs crashes through picture window, sets meth lab/big bang theory writer’s room on fire::
There’s a great early-J.J. appearance in Richard E. Grant’s memoir, With Nails.
You had me at nearly naked Katee Sackhoff. What part of that is embarassing?
I know that this isn’t necessarily following the formula for the article, but I was shocked, SHOCKED, I say, to learn that Happy Ending’s Dave Caspe is also responsible for That’s My Boy. As far as disparaging quality between projects go, that’s a big ass canyon
Regarding Terrence Winter. I always liked Diagnosis Murder and it was on forever so it could not of been just me. Also how can you not love a show about closet lesbos in leather (Xena)
I truly believe Harrison Ford did not know what was going on during the entire filming of Regarding Henry…which actually looks like good acting in the second half of the film.
The Vince Gilligan movie was called “Wilder Napalm.” Not Wilder Palm. Barry Levinson ‘discovered’ Vince and produced the movie.
I think you just looked up older stuff on imdb and judged them by how they look like on youtube clips. And ‘low RT scores = oh he must be a terrible screenwriter?’ hmm