
Last night, a colleague of mine and I got into a discussion about The Newsroom on Twitter. He suggested that anyone that spends their time watching Aaron Sorkin’s show is “wasting their lives” noting at one point that, “where the show loses me is in its lack of tension, logic, character, enjoyability, nuance, plot, momentum, and originality.” He’s not wrong, really, except for one point: Enjoyability.
Last night’s episode was just such an example: Aaron Sorkin nearly frittered away the biggest news event of the last five years on a somewhat amusing, but — given the subject matter — weirdly comedic episode of Newsroom. In the end, however, Sorkin managed to land some really nice moments by personalizing the news of Osama Bin Laden’s death to a few individuals. It was not subtle (it reminded me of some of those hoo-ra Jingoism moments on The West Wing), and it was a little clumsy in getting there, but it still managed to be powerfully affecting. In the end, that’s why I still watch The Newsroom, because despite the lack of originality, nuance, momentum, plot, etc., when he hits those high, soaring notes — and he still does, at least once an episode — few are as good at manipulating our emotions with earnest appeals to our better natures than Sorkin. Plus, the patter. I love the patter.
In real life, Sorkin is also trying to turn the corner with critics, first by showing some actual humility. Remember “Sorkinisms: A Supercut,” the video that mashes-up of clips in which characters from The West Wing, Social Network and other Sorkin projects recite nearly identical lines?
Sorkin has seen it, had a very friendly exchange with the editor (who is a fan), and even admits: “I have a very limited imagination.”
That may be the first time I’ve seen the usual sanctimonious Aaron Sorkin say something honestly self-deprecating. According to the NYPost, for season two, Sorkin has also hired consultants to help him offset his preachy, liberal dialogue. That’s kind of huge, too: The first step to to solving a problem is to admit it.
Newsroom is still a wildly uneven show, but I think it’s finding its feet, rounding off the rough edges, and coming in to its own. The best thing Sorkin can do in the future is try to separate his Newsroom characters from the characters in his other shows, and the best way to do that is to stop them from doing and saying the same things. If he can add some new moves to his repertoire, watching Newsroom may not be such a waste of our lives.

(VIA)



Well this was nice to read. I just finished saying how I felt it was a little hammy last night at times, making my normal groans a little worse. But It’s nice to see the added information pertaining to Aaron Sorkin. Whoop…Joe Biden just texted me…
I can honestly say that i have no problem with this show what-so-ever. it’s kind-of amazing. but these changes son’t sound so bad so i’m down.
Have not watched last night’s yet. After all, it’s now opposite Breaking Bad and some things are meant for live viewing, some for DVRing.
I cannot apologize for liking his shows. It does bug me now that I notice so many commonalities between them, but it still works. And that’s what bugs me most. If some hack can do 200 identical episodes of 2.5 Men and I can hate every single one of them, how can I enjoy these clones?
I guess it still comes down to if you make a copy of something great versus making a duplicate of something crappy. Yes, like all duplicates you’ll get diminishing returns, but those duplicates are still better than the most original crap.
By saying he has a “limited imagination” he probably was trying to insult people who have a large one.
“The first step to to solving a problem is to admit it.”
I see what you did there.
I thought it was one of the most cornball, over-sentimental episodes I’ve seen. I like this show, but that was borderline soap opera bad.
They should’ve done 3 more close-ups of the pilot’s wings to let us know he was a pilot and the OBL news was going to mean a lot to him. “[Our United States military] killed Osama Bin Laden for YOU… fuck everyone else on the plane who cared about the news”
I enjoy the show, but it really would be better if the characters would make a smoother transition from being witty and bantering to being somber and respectful. Don was being his usual self until he saw the pilots, then he immediately looked like he’d been hit in the face by the sappiness hammer.
“There, we did our jobs and delivered the news”
I liked it. I dont feel guilty at all for enjoying this show, Sorkin’s formula may rear it’s pompous head kinda often but this show still challenges in ways that brain dead flavorless paste like 2.5 Men or Big Bang Theory never will.
I don’t hate it, and I’ll keep watching through S2 hoping that it improves. But I think some of the things that Starscream, IZGOOOD, and nachosanchez addressed are the equivalent of the 2.5 or BB laugh track. Everything about this show is easy. Even more urgent though: what was up with the guitar scene? Where was Blutarsky when we needed him?
Watch some clips of BB Theory without the laugh track. Its like root canal it’s so uncomfortable.